Line 6 Pod XT bean Guitar effects unit and interface in one

This Listing is for a pre owned Line6  XT unit .Listing is for the unit only and power supply in slightly tatty original box. Please read the condition section above.

Great unit for connecting to your computer based system to record guitar and with a quality finish as well as everything a guitar effects pedal offers.

Heres more info from line 6 review…..

POD® xt Features

• +4dBu / -10dBV 1/4 Inch Outputs
• 24-bit A/D and D/A Converters
• MIDI In, Out/Thru
• RJ-45 Foot Controller Connector
• USB Connector for Digital I/O
• Headphone Output
• Guitar Input
• Precision Chromatic Tuning
• Audio Mute
• Bypass
• Hands-free Operation (with optional FBV-series foot controllers)

PODxt Amp Models based on*:

• Line 6® Clean
• Line 6® JTS-45
• Line 6® Class A
• Line 6® Mood
• Line 6® Spinal Puppet
• Line 6® Chemical X
• Line 6® Insane
• Line 6® Piezacoustic 2
• Line 6® Agro
• Line 6® Lunatic
• Line 6® Treadplate
• Line 6® Variax® Acoustic
• Budda 2001 Twinmaster
• Fender® 1953 Deluxe Reverb®
• Fender® 1958 Bassman®
• Fender® 1961 Champ®
• Fender® 1964 Deluxe Reverb®
• Fender® 1965 Twin Reverb®
• Gretsch® 1960 6156
• Hiwatt® 1973 Custom 100
• Marshall® 1966 JTM-45
• Marshall® 1968 Super Lead
• Marshall® 1968 Jump Channel
• Marshall® 1968 Variac Plexi
• Marshall® 1987 JCM 800
• Marshall® 1996 JMP-1
• Matchless 1996 Chieftain
• Matchless 1993 DC-30
• Mesa/Boogie® 2001 Dual Rectifier®
• Mesa/Boogie® Mark IIc+
• Roland® Jazz Chorus 120
• Soldano 1993 SLO-100
• Supro 1960’s S6616 
• Vox® 1961 AC-15
• Vox® 1967 AC-30TB
• Tube Preamp
• Marshall® 1974X (18W Reissue)
• Marshall® JCM 2000 w/ Germ Pedal
• Orange AD30TC
• Vox® Fawn Non-Top Boost AC30
• Dumble® Clean (from POD® 2.0)
• Soldano SP88 (from POD® 2.0)

PODxt Cabinet Models based on*:

• 6×9 Supro S6616
• 1×8 1961 Fender® Tweed Champ®
• 1×10 Gibson®
• 1×10 Gretsch® 6156
• 1×12 Line 6®
• 1×12 1953 Fender® Tweed Deluxe Reverb®
• 1×12 1964 Fender® Blackface Deluxe Reverb®
• 1×12 1960 Vox® AC-15
• 1X15 1962 Supro Thunderbolt
• 2×2 Fender® Mini Twin Reverb®
• 2×12 Line 6®
• 2×12 1965 Fender® Blackface Twin Reverb®
• 2×12 1995 Matchless Chieftain
• 2×12 Roland® JC-120
• 2×12 1967 Vox® AC-30
• 2X12 1967 Silvertone® Twin Twelve
• 4×10 Line 6®
• 4×10 1959 Fender® Bassman®
• 4×12 Line 6®s
• 4×12 1967 Marshall® Basketweave with Greenbacks
• 4×12 1968 Marshall® Basketweave with Greenbacks
• 4×12 1978 Marshall® with stock 70s
• 4×12 1996 Marshall® with Vintage 30s
• 4×12 Mesa/Boogie®

PODxt Microphone Models based on*:

• Shure® SM-57 On Axis
• Shure® SM-57 Off Axis
• Sennheiser® MD-421
• Neumann® U-67

PODxt Effect Models based on*:

• LA-2A® Compressor
• Noise Gate
• Fuzz Face
• Big Muff Pi®
• Tubescreamer®
• ProCo Rat
• Octavia
• CS-1 Comp/Sustainer
• Dynacomp
• Vetta™ Comp
• Auto Swell
• Mutron III
• Line 6® Sine Chorus
• CE-1 Chorus Ensemble
• Line 6® Flanger
• A/DA Flanger
• MXR® Phase 90
• Uni-Vibe
• Opto Tremolo model from the 1965 Fender® Deluxe Reverb®
• Vox® V847 Wah
• Custom Vox® V847 Wah
• Bias Tremolo model from 1960 Vox® AC-15
• Colorsound Wah-Fuzz
• Maestro® Boomerang Wah
• Leslie® 145
• Jen Electronics Cry Baby Super Wah
• Vibratone
• RMC Real McCoy 1 Wah
• Auto-pan
• Arbiter® Cry Baby Wah
• Boss® DM-2
• Sub Octaves Synth Effect
• Deluxe Memory Man
• Digitech Whammy Pitch Effect
• EP-1 Tube Echoplex
• Maestro® Bass Brassmaster
• Roland® RE-101 Space Echo
• Sans Amp Tube Driver
• Sweep Echo
• Volume (Pre- or Post-Amp Routing options)
• Line 6® Digital Delay
• Post-EQ
• Line 6® Stereo Delay
• Vetta Wah
• Large Plate Reverb
• Ping Pong Delay
• Vintage Plate Reverb
• Reverse Delay
• Slap Plate Reverb
• Fender® Deluxe Spring Reverb
• Cavernous Reverb
• Fender® Twin Spring Reverb
• Chamber Reverb
• King Spring Reverb
• Rich Chamber Reverb
• Small Room Reverb
• Large Hall Reverb
• Tiled Room Reverb
• Brite Room Reverb
• Dark Hall Reverb
• Medium Hall Reverb

All product names used in this webpage are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development.

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